《华盛顿邮报》8月23日报道，美国一名联邦法官21日裁定，特朗普政府禁止向75国公民签发移民签证的政策无效，理由是该项政策基于国籍进行歧视，违反了联邦移民法。    Tarun Mansukhani recently brought the Kapoor family together in Dining with the Kapoors, a Netflix documentary that offers a glimpse into the lives of one of India's biggest film families. The Dostana and Housefull 5 director served as creative producer on the show, which was created by Armaan Jain.     In an exclusive conversation with Filmfare, he talks about how the private family welcomed the cameras into their home. He opens up about the emotional visit to Raj Kapoor's Deonar Cottage and reflects on the different worlds of stardom he has experienced, from working with Shah Rukh Khan, the Bachchans and now, the Kapoors.     Excerpts:     How did you come on board for Dining with the Kapoors?      Armaan and I have known each other for a while. He was supposed to assist me when I was trying to make Dostana 2. The film didn't happen, but we kept in touch. About four years ago, he approached me with the idea that he wanted to do something with his family and food. Back then, I didn't know the family as intimately as I do now to realise how important food was to them. We kept brainstorming over random ideas until Armaan said that he wanted to have one lunch with all the family members coming together and the camera shooting them.      My first reaction was, 'Good luck with that,' because I knew the family was very private. They don't like cameras coming into their personal spaces. Even Ranbir and Alia had a very intimate wedding. I wondered how Armaan intends to pull it off, but we decided to give it a shot. That's when the process of speaking to all the family members began. I sometimes accidentally call them actors, but eventually, you realise they are just Armaan's family. They all agreed without hesitation.      Was it a logistical challenge deciding who would be present for the shoot?     I don't think there was any Kapoor family member who didn't want to be a part of it. In a family that has always done this as a ritual, there was no thought of excluding anyone or avoiding certain members. The challenge was about dates. We asked everyone to give us 10 options and mixed and matched until we found one date that worked for all. After we got the family together, it was then about capturing the moments between them. It has come out well. After a point, they let go of the fact that the cameras were recording them.          What was your most surprising discovery about the Kapoor family?     I had a perception of what the Kapoor family would be like behind closed doors, and it was completely shattered. You often see them as big actors and stars but in reality, they are just a normal family. Reema Jain feels like multiple aunts of mine and Dabbu uncle (Randhir Kapoor) was like my uncles with his sarcastic remarks. How they interact with each other is how we are with our cousins. What shocked me the most was the normalcy within the family. Nobody was a big star at the table. Everything was just about being together and wasn't anything to do with the film industry.      How was the mood during the shoot?     It was a bit odd at first with the paparazzi waiting for you, making it feel professional. But you look around and realise it's all family. You are meeting, greeting and talking and suddenly you realise there is a camera. So it stops you in that moment from being yourself. But slowly, you start to go back into being who you are.      When Ranbir and others went into the kitchen, that wasn't scripted. Armaan was arranging everything on his own and the family just decided to help. Navya and Shaira were plating, somebody else was putting tadka somewhere or buttering naans. Everything was just moving. They are like a big mad unit together.           With the changing definition of stardom, how would you define a star now?     Everyone is trying to figure it out. Earlier there were clear markers of stardom such as fan frenzy, brand deals or box office hits. Today, with the way the world has changed, our perception of stardom is gone. There is no metric that has popped up for us to reevaluate. Today, everyone is a star and yet no one will ever be Mr. Bachchan, SRK or Salman Khan. I don't think we will ever see that kind of fan frenzy but there will be a redefinition of stardom. Then there will be a lot of other stars.      If you could create a Dining with the Kapoors style show again with another film family, who would you pick?     With the other Kapoors - Mr Anil Kapoor and his family. We are in talks for a second season and hopefully, will get to announce something soon.      Also Read: Exclusive:Tarun Mansukhani on Unbreakable Bond With Karan Johar & Priyanka Chopra’s Desi Girl Legacy。

B | 报道特别指出，这名法官是拜登任命的。美国国务院今年早些时候表示，将暂停向阿富汗、巴西、也门及其他数十个国家公民发放移民签证，原因是特朗普政府认定这些国家的人入境美国后很可能“需要公共援助”。

C | 纽约南区联邦地区法官珍妮特·A·巴尔加斯（Jeannette A. Vargas）周五裁定，该政策还会在领事官员已对申请人进行评估、并认定其具备自给能力的情况下，仍禁止美国政府签发移民签证。巴尔加斯表示：“从多方面来看，这并非疑难案件。”她指出，1952年《移民与国籍法》禁止在移民签证发放中基于国籍进行歧视，而特朗普政府的政策“仅凭国籍”就剥夺了部分人的移民签证资格。随后，巴尔加斯援引一份美国外交电报，该电报指示各领事馆拒绝向签证已获批但尚未寄出的申请人发放移民签证。巴尔加斯表示，特朗普政府的政策“违反法律”，且超出了美国国务卿马尔科·卢比奥的权限。

D | 法官的裁决撤销了该签证禁令，同时也撤销了仅基于该政策作出的拒签决定。美国国务院一位发言人对媒体表示，特朗普政府“通过对签证申请人坚持执行最高标准的筛查与审查，来保护美国人民”，并补充称政府不对正在进行的诉讼发表评论。国务院发布该禁令时曾表示，该政策将“持续有效，直到美国能够确保新移民不会从美国人民身上榨取财富”。法律援助协会监督律师苏珊·韦尔伯代表原告起诉联邦政府。她声称，这项针对75国的签证禁令“基于一个虚构的前提”，即目标国家的居民如果来到美国，很可能会使用公共资源。

E | 韦尔伯表示：“每当我们反击那些基于虚构、不实信息和偏见而发起的政策时，我认为我们在推动移民体系更加公正。

F | ”西部法律与贫困中心（Western Center on Law amp; Poverty）高级律师安托瓦内特·多齐尔对此称：“对于这75个国家的众多家庭来说，这项裁决意味着回归公平、逐案审查的流程，并有机会与亲人团聚。没有任何一届政府可以因为认为申请人的国籍不可接受，就凌驾于法律之上。

G | ”观察者网查询发现，美国纽约州民主党籍联邦参议员柯尔斯滕·吉利布兰德（Kirsten Gillibrand）在2024年向时任美国总统拜登推荐了珍妮特·巴尔加斯，建议由她担任纽约南区联邦地区法院法官。当年3月20日，吉利布兰德发表声明称：“我很自豪并感激拜登总统提名珍妮特·巴尔加斯担任纽约南区联邦地区法院法官。巴尔加斯女士在纽约南区联邦检察官办公室服务超过二十年，是复杂民事诉讼领域的专家，经办过从重大金融欺诈调查到第11章破产程序等各类案件，同时在保护和加强LGBTQ群体公民权利方面也有着卓越的记录。”珍妮特·巴尔加斯当时任纽约南区联邦检察官办公室助理联邦检察官。巴尔加斯1995年以“优异成绩”（magna cum laude）获得哈佛学院文学学士学位，2000年获得耶鲁法学院法学博士学位。她曾在辛普森·撒切尔律师事务所担任律师，以及美国第二巡回上诉法院的法官书记员。

H | 很快，她就在2002年加入纽约南区联邦检察官办公室，担任民事分部普通助理联邦检察官。2009年晋升为税务与破产部副主管，2010年升任税务与破产部主管，2014年至2016年间担任高级出庭律师，自2016年起担任民事分部副主管。